SoundLabs Mixing Services is a mixing studio, that deals with metal and hard rock ONLY. We don't accept jobs for any other genre.
We always pay attention on client needs. That's why we arrange a meeting or two with client, before the mixing process starts. It is necessary to know, what client wants. Depending on artist's wishes, we then present, what can be done (that also depends on the quality of recorded tracks).
We always pay attention on client needs. That's why we arrange a meeting or two with client, before the mixing process starts. It is necessary to know, what client wants. Depending on artist's wishes, we then present, what can be done (that also depends on the quality of recorded tracks).
If haven't been done already, the drums are sent to triggering procedure. We use state-of-the-art drum samples for replacement, which always results in final mixdown. From there, the next step is to create a space, that will define the whole mix. This is a stage, where we take huge care at. Incorrect spacing always results in the end.
If sufficient source is provided, we also offer guitar re-amping with many top-quality amplifiers, cabinets and microphones.
Client can choose among some of the industry standard like MESA BOOGIE Dual or Triple Rectifier, PEAVEY 5150 MKII, 6505+, MARSHALL JCM and JVM series and different cabinets (Mesa 4x12 Oversized with V30, Peavey 5150 with Sheffield 1200, Peavey JSX with Jensen and Eminence loudspeakers in X pattern, VHT,...)
In many cases, re-amping was a superb decision, because it let us have more control over guitar sound.
Sometimes we blend processed guitars with captured sound from different albums, just to give them some extra aggression.
Client can choose among some of the industry standard like MESA BOOGIE Dual or Triple Rectifier, PEAVEY 5150 MKII, 6505+, MARSHALL JCM and JVM series and different cabinets (Mesa 4x12 Oversized with V30, Peavey 5150 with Sheffield 1200, Peavey JSX with Jensen and Eminence loudspeakers in X pattern, VHT,...)
In many cases, re-amping was a superb decision, because it let us have more control over guitar sound.
Sometimes we blend processed guitars with captured sound from different albums, just to give them some extra aggression.
Bass is a chapter of it's own. Speciall care goes for this, too. We always demand at least 2 different bass tracks per song from client. Why? Well, that will remain a secret. :)
It's always very important to separate bass from drums and fir it into the mix as good as possible.
Vocals: It depends from a genre and a band, what could be done with vocal tracks. We try to make vocals sounding as interesting as they could, meaning playing with various effects etc., and "in your face".
It's always very important to separate bass from drums and fir it into the mix as good as possible.
Vocals: It depends from a genre and a band, what could be done with vocal tracks. We try to make vocals sounding as interesting as they could, meaning playing with various effects etc., and "in your face".